- Mother Sky (1969), Can
- Sandoz in the Rain (1970), Amon Düül II
- Negativland (1972), Neu!
- From the Side of the Machine (1973), Faust & Tony Conrad
- Soap Shop Rock (1970), Amon Düül II
- Kyrie! (1972),Popol Vuh
- Paperhouse (1971), Can
- Wunderschatze (1976), Novalis
- Hungry Looser (1970), Virus
- Death of an Analogue (1980), Klaus Schulze
- Amboss (1971), Ash Ra Tempel
- Spoon (1972), Can
- Autobahn (1974), Kraftwerk
- Der Wagen (1973), Walter Wegmüller
- Der LSD-Marsch (1970), Guru Guru
- Kanaan (1969), Amon Düül II
- Das Schloss des Irrtums (1978), Popol Vuh
- So Far (1972), Faust
- Chain Reaction (1974), Can
- Sommerabend (1976), Novalis
- Darkness: Flowers Must Die (1972), Ash Ra Tempel
- Sowiesoso (1976), Cluster
- Für Immer (1973), Neu!
- Ashes to Ashes (1970), Tangerine Dream
- Babylon (1971), Deuter
- Endless Game (1970), Virus
- Daytime (1972), Jane
- Dizzy Dizzy (1974), Can
- Seven Up (1972),Timothy Leary & Ash Ra Tempel
- Vuh (1971), Popol Vuh
- Kling Klang (1972), Kraftwerk
- Rockpommel's Land (1977), Grobschnitt
- Leb' Wohl (1975), Neu!
- Father Cannot Yell (1969), Can
- Luzifer's Ghilom (1969), Amon Düül II
- Picnic On A Frozen River (1973), Faust
- Watussi (1974), Harmonia
- Düsseldorf (1976), La Düsseldorf
- Stone In (1970), Guru Guru
- L'hiver doux (1975), Ash Ra Tempel
22 Eylül 2012 Cumartesi
THE BEST KRAUTROCK SONGS EVER
THE BEST KRAUTROCK ALBUMS EVER
- Yeti (1970), Amon Düül II
- Tago Mago (1971), Can
- Hosianna Mantra (1972), Popol Vuh
- Outside the Dream Syndicate (1973), Faust & Tony Conrad
- Ash Ra Tempel (1971), Ash Ra Tempel
- Kraftwerk 2 (1972), Kraftwerk
- Tarot (1973), Walter Wegmüller
- Ege Bamyasi (1972), Can
- Neu! (1971), Neu!
- Phallus Dei (1969), Amon Düül II
- Revelation (1970), Virus
- Sommerabend (1976), Novalis
- Monster Movie (1969), Can
- In den Gärten Pharaos (1971), Popol Vuh
- Faust So Far (1972), Faust
- D (1971), Deuter
- Neu! 2 (1973), Neu!
- UFO (1970), Guru Guru
- Musik Von Harmonia (1974), Harmonia
- Together (1972), Jane
10 Ağustos 2012 Cuma
THE TOP 10 MOST DIFFICULT BOOKS
THE TOP 10 MOST DIFFICULT BOOKS
by
Emily Colette Wilkinson & Garth Risk Hallberg
by
Emily Colette Wilkinson & Garth Risk Hallberg
Back in
2009, The Millions started its "Difficult Books" series--devoted
to identifying the hardest and most frustrating books ever written, as well as
what made them so hard and frustrating. The two curators, Emily Colette
Wilkinson and Garth Risk Hallberg, have selected the most difficult of the most
difficult, telling us about the 10 literary Mt. Everests waiting out there for
you to climb, should you be so bold.
Emily's
Picks
1-Nightwood by Djuna Barnes - Dylan Thomas
called Nightwood "one of the three greatest prose books ever
written by a woman,” but in order to behold this greatness you must master
Barnes' tortuous, gothic prose style. In his introduction to the novel, T.S
Eliot described Nightwood’s prose as “altogether alive” but also
“demanding something of a reader that the ordinary novel-reader is not prepared
to give.” Nightwood is a novel of ideas, a loose collection of
monologues and descriptions. What will keep you going: The cross-dressing
Irish-American "Dr. Matthew-Mighty-grain-of-salt-Dante O'Connor,"
who, when not wandering Paris, drinking heavily, or dressing in nighties,
rouge, and wigs of cascading golden curls, is expounding great rambling sermons
that fill most of the book. These are funny, dirty, absurd, despairing,
resigned—even hopeful in a Becketty I-can't-go-on-I'll-go-on kind of way.
2-A Tale of A
Tub by Jonathan
Swift - The first difficulty: The superabundant references to obsolete cultural
squabbles (some obscure even in Swift’s eighteenth-century England) and then
there’s the narratorial persona: an impoverished, syphilitic madman who cuts
pieces out of his manuscript and his fellow citizens remorselessly. His
compulsive digressiveness is deliberately baffling, but more baffling still is
that this satire, aimed at “the Abuses and Corruptions in Learning and
Religion” and written by a conservative, Anglican clergyman, ends finding
nothing sacred. If you can bear it (and the 100s of footnotes you’ll need to
understand its historical context), it’s the ultimate expression of cultural
alienation and despair.
3-The
Phenomenology of the Spirit by G.F. Hegel - Do you enjoy a good intellectual
gobsmack every now and again? If so, Hegel’s your man and this book, a classic
of German idealism and unquestionably one of the most important works of modern
philosophy, is a fine place to start. Hegel’s refutation of Kantian idealism,
history of consciousness, and quintessential explanation of the process of the
dialectic is hard to understand and harder still to retain (“goes through you
like lentils,” as one Stanford professor described it to me), due first and
foremost to the breadth of its subject and its terminology. The book’s nearly
impenetrable without a good edition and guide or two: The Oxford UP edition is
widely considered the best (and don’t skip the notes and foreward) and the
Routledge Philosophy Guidebook’s commentary by Robert Stern makes good warm-up
reading; also good (and free) are J.M. Bernstein’s lecture notes for his UC
Berkeley graduate course on the Phenomenology, available at BernsteinTapes.com.
4-To The
Lighthouse by Virginia
Woolf - In its intermingling of separate consciousnesses, Virginia Woolf’s
fiction is both intellectually and psychically difficult. Not only is it hard
to tell who’s who and who’s saying or thinking what, it is also
disconcerting—even queasy-making—to be set adrift in other minds, with their
private rhythms and associative patterns. It feels, at times, like being
occupied by an alien consciousness. Some readers don’t ever find their sea-legs
with Woolf. The trick is to surrender yourself (true with other high
modernists too), to let the prose wash over you and take you where it will—not
to worry too much about understanding a dogmatic way.
5-Clarissa, Or
the History of a Young Lady by Samuel Richardson - Richardson’s Clarissa is
a heavyweight in more ways than one. The novel’s physical heft is part of its
difficulty (she weighs in at just under three pounds in Penguin’s oversized
edition), especially as her 1500 pages are light on plot (Samuel Johnson said
you’d hang yourself if you read Clarissa for the plot). But what the
novel lacks in plot it makes up for in psychological depth. Richardson was the
first master of the psychological novel and he hasn’t been bested since. These
depths are also dark and psychically wrenching: Clarissa's rejection and
dehumanization by her monstrous family and the sadistic torments she undergoes
at the hands of her rescuer turned torturer, the "charming sociopath"
Robert Lovelace, offer some of the most emotionally harrowing reading experiences
available in English.
Garth's
Picks
1-Finnegans
Wake by James
Joyce -Finnegans Wake is long, dense, and linguistically knotty, yet
hugely rewarding, if you're willing to learn how to read it. By this, I don't
mean wallowing in the froth of scholarly exegesis the Wake churned up in its
wake. Not the first time out, at least. (I take Joyce's talk about setting
traps for his readers as an expression of hostility born out of years of
frustration.) Rather, I mean surrendering to Joyce's music. Meaning here is
more a question of effect than of decoding; in this way, this Difficult Book is
paradigmatic of great literature more generally. Try reading 25 pages a
day, out loud, in your best bad Irish accent. (Seriously - some of what seems
like idiolectic obscurity is just a question of how you pronounce your vowels.)
You'll be maddened, you'll be moved, and you'll be done in about four weeks.
2-Being &
Time by Martin
Heidegger - Being & Time is probably the hardest book I've ever
read. To contradict what I said vis-a-vis Joyce, I don't feel comfortable as a
reader of Heidegger letting things wash over me. Literary meaning and
philosophical meaning are different beasts, and Being & Time, with
its intentionally obtrusive neologisms, isn't meant to be dreamlike. It aims
instead to be, among other things, a new kind of science, or a new foundation
on which to build the sciences - an understanding of what it means "to
be." Heiddeger gets a lot of things shockingly right, and yet the book's
abstractness and rigor mean that most of his discoveries remain well-kept
secrets. Even reading the first half in a graduate-level seminar, it took me
over a year to get through this one. Was persevering worth it? Well, it changed
my life. I don't know how much more a reader can ask for.
3-The Faerie
Queene by Edmund
Spenser - The difficulty and the pleasure of reading Spenser's masterpiece
arise from a common source: its semiotic promiscuity. The Faerie Queene
is allegory to the power of allegory. Or it is allegory drunk out of its mind
on sugary wine, dressed up in layers of costumery, made to run singing through
the garden of Eden at four o' clock in the morning before falling down in a
heap at sunrise to make silver love to itself. Or it's the product of that
lovemaking, tenor and vehicle copulating so variously and complexly that each
becomes the other. There is much madness here, not least in the sheer hubris of
Spenser's plan. (Like Heidegger, he only finished half of his magnum opus.) The
Faerie Queene is also, bizarrely, a work of exquisite poetic control,
hundreds upon hundreds of perfectly turned stanzas. I read it in college. It
was hard as hell, and I forgot the plot even while I was reading, but many of
its images remain burned into my brain ten years later.
4-The Making
of Americans by Gertrude
Stein - I've been working my way through The Making of Americans for
many summers now. I keep getting several hundred pages in, switching to
something else, and then, as with Heidegger, returning to find I've lost the
thread. But what Heidegger describes, Stein evokes; to read even a page of The
Making of Americans is to be thrown into a unique state of attunement. The
fineness of attention its exquisite narrative tedium promotes is like an
antidote to the shallows of the internet. Beyond the page, birds sing louder,
sunlight grows thicker, car horns bare their souls. "The first stunningly
original disaster of Modernism," someone wrote about this book, and while
I'm not sure it was intended as a compliment, it makes me wish there were more
disasters like this.
5-Women &
Men by Joseph
McElroy - In this space I could put any number of postmodern meganovels - a
subgenre I've been smitten with for many years now. There's William Gaddis' JR,
which is easier than people make it out to be, and Pynchon's Gravity's
Rainbow, which is harder. There's The Recognitions and Mason
& Dixon. There's William H. Gass' The Tunnel - verbally lucid,
but morally arduous. Of the lot, though, I'd like to shine the spotlight again
on Joseph McElroy's Women & Men. It is longer than any of the
foregoing, and, in the idiosyncracies of its prose, on par with the hardest.
Parts of it, anyway. Its temperament, though, is completely sui generis - warm,
humanist, synthetic rather than analytic. As I wrote for the L.A. Times
a few years back, it's like an entirely different version of what comes after
Modernism. It's a weird and wonderful book, and I can't wait to dive into it
again.
Emily
Colette Wilkinson is a critic living in Washington, DC. Her reviews have
received commendations from The Society of Professional Journalists and The Virginia Quarterly Review.
Garth Risk
Hallberg is the author of A Field Guide to the North American Family and is a contributing editor
at The Millions.
9 Ağustos 2012 Perşembe
BEST NOVELLAS EVER
- The Metamorphosis (1915), Franz Kafka
- Heart of Darkness (1902), Joseph Conrad
- Notes from Underground (1864), Fyodor Dostoyevsky
- The Death of Ivan Llyich (1886), Leo Tolstoy
- The Little Prince (1943), Antoine de Saint-Exupéry
- Ward Number Six (1892) Anton Chekhov
- A Christmas Carol (1843), Charles Dickens
- The Old Man and the Sea (1952), Ernest Hemingway
- Strange Case of Dr Jekyll and Mr Hyde (1886), Robert Louis Stevenson
- Animal Farm (1945), George Orwell
- Of Mice and Men (1937), John Steinbeck
- Michael Kohlhaas ( 1811), Heinrich von Kleist
- The Royal Game (1942), Stefan Zweig
- The Dead (1914), James Joyce
- Daisy Miller (1878), Henry James
- The Steppe (1888) Anton Chekhov
- Chronicle of a Death Foretold (1981), Gabriel Garcia Marquez
- Death in Venice (1913), Thomas Mann
- The Kreutzer Sonata (1889), Leo Tolstoy
- Billy Budd (1892; first published in 1924), Herman Melville
- The Turn of the Screw (1898), Henry James
- An Episode in the Life of a Landscape Painter (2000), César Aira
- Prince Ehtejab (1969), Houshang Golshiri
- The Alienist (1882), Machado de Assis
- The Aspern Papers (1888), Henry James
- Running (2008), Jean Echenoz
- Dreams of Dreams and the Last Three Days of Fernando Pessoa (1994), Antonio Tabucchi
- Stevenson under the Palm Trees (2003) Alberto Manguel
- Dream Story (1926), Arthur Schnitzler
- The House of Paper (2002), Carlos María Domínguez
- The Pearl (1947), John Steinbeck
- San Manuel Bueno, mártir (1930), Miguel de Unamuno
- A River Runs Through It (1976), Norman Maclean
- House of the Sleeping Beauties (1961), Yasunari Kawabata
- The Golden Pot (1814), E. T. A. Hoffmann
- Earth and Ashes (2000), Atiq Rahimi
- Three Years (1895), Anton Chekhov
- The Legend of the Holy Drinker (1939), Joseph Roth
- Benito Cereno (1855), Herman Melville
- The Nigger of the 'Narcissus' (1897), Joseph Conrad
- Aura (1962), Carlos Fuentes
- The Rider on the White Horse (1888), Theodor Woldsen Storm
8 Ağustos 2012 Çarşamba
THE BEST BRITISH NOVELS OF 20th CENTURY
- To The Lighthouse (1927), Virginia Woolf
- Nineteen Eighty-Four (1949), George Orwell
- Nostromo (1904), Joseph Conrad
- Mr.Dalloway (1925), Virginia Woolf
- Sons and Lovers (1913), D. H. Lawrence
- Under the Volcano (1947), Malcolm Lowry
- A Passage to India (1924), E. M. Forster
- Lord of the Flies (1954), William Golding
- The Golden Notebook (1962), Doris Lessing
- The French Lieutenant's Woman (1969), John Fowles
- Lord Jim (1900), Joseph Conrad
- Brave New World (1931), Aldous Huxley
- The Way of All Flesh (1903), Samuel Butler
- Midnight's Children (1981), Salman Rushdie
- The Alexandria Quartet (1957-1960), Lawrence George Durrell
- Howard's End (1910), E. M. Forster
- I, Claudius (1934), Robert Graves
- The Power and the Glory (1940), Graham Greene
- Brideshead Revisited (1945), Evelyn Waugh
- A Bend in the River (1979), V. S. Naipaul
- The Lord Of The Rings (1954-55), J. R. R. Tolkien
- Lanark (1981), Alasdair Gray
- Money (1984), Martin Amis
- The Rainbow (1915), D. H. Lawrence
- The Forsyte Saga (1906-21), John Galsworthy
5 Ağustos 2012 Pazar
THE BEST 50 PLAYS OF 20th CENTURY
- Waiting for Godot (1953), Samuel Beckett
- Mother Courage and Her Children (1939), Bertolt Brecht
- Long Day's Journey Into Night (1956), Eugene O'Neill
- Death of a Salesman (1949), Arthur Miller
- The Cherry Orchard (1904), Anton Chekhov
- The Bald Soprano (1940), Eugène Ionesco
- Six Characters in Search of an Author (1921), Luigi Pirandello
- A Dream Play (1901), August Strindberg
- The House of Bernarda Alba (1936), Federico Garcia Lorca
- A Streetcar Named Desire (1947), Tennessee Williams
- The Man Outside (1946), Wolfgang Borchert
- Look Back in Anger (1956), John Osborne
- The Threepenny Opera (1928), Bertolt Brecht
- A Clinical Case (1953), Dino Buzzati
- Private Lives (1930), Noel Coward
- The Crucible (1953), Arthur Miller
- Three Sisters (1901), Anton Chekhov
- Marat/Sade (1963), Peter Weiss
- Kaspar (1967), Peter Handke
- Major Barbara (1905) George Bernard Shaw
- The Last Days of Mankind (1922), Karl Kraus
- Rhinoceros (1959), Eugène Ionesco
- Rosencrantz and Guildenstern are Dead (1966), Tom Stoppard
- The Caretaker (1959), Harold Pinter
- Pygmalion (1912), George Bernard Shaw
- Who's Afraid of Virginia Woolf (1962), Edward Albee
- Death and The King's Horseman (1975), Wole Soyinka
- The Balcony (1955), Jean Genet
- Andorra (1961), Max Frisch
- The Investigation (1965), Peter Weiss
- Endgame (1957), Samuel Beckett
- Murder in the Cathedral (1935), T. S. Eliot
- The Lesson (1951), Eugène Ionesco
- Accidental Death of an Anarchist (1970), Dario Fo
- Hoppla, We're Alive! (1927), Ernst Toller
- Master Harold...and the boys (1982), Athol Fugard
- The Physicists (1962), Friedrich Dürrenmatt
- Noh Plays (1950-60),Yukio Mishima
- The Ghost Sonata (1907), August Strindberg
- Our Town (1938), Thornton Wilder
- The Resistible Rise of Arturo Ui (1937-43), Bertolt Brecht
- The Homecoming (1964), Harold Pinter
- The Iceman Cometh (1946), Eugene O’Neill
- Man and Superman (1903), George Bernard Shaw
- Angels in America (1993), Tony Kushner
- The Chairs (1952), Eugène Ionesco
- The Cocktail Party (1949), T. S. Eliot
- Antigone (1944), Jean Anouilh
- The Madman and the Nun (1923), Stanisław Ignacy Witkiewicz
- The Satin Slipper (1929), Paul Claudel
- Juno and the Paycock (1924), Sean O'Casey
- Caligula (1944), Albert Camus
- The Captain of Köpenick (1931), Carl Zuckmayer
- Ping Pong (1955), Arthur Adamov
- The Marriage (1965), Witold Gombrowicz
- Krapp's Last Tape (1958), Samuel Beckett
- The Good Person of Setzuan (1943) Bertolt Brecht
- No Exit (1944), Jean-Paul Sartre
- Pandora's Box (1904), Frank Wedekind
- Electra (1937), Jean Giraudoux
THE GREATEST PLAYWRIGHTS OF 20th CENTURY
- Samuel Beckett
- Bertolt Brecht
- Arthur Miller
- Anton Chekov
- Eugène Ionesco
- Eugene O'Neill
- Luigi Pirandello
- George Bernard Shaw
- Harold Pinter
- Tennessee Williams
3 Ağustos 2012 Cuma
The Best Of The 20th Century (TIME Magazine)
Best Children Books:
1.
Charlotte’s Web
2.
The Chronicles of Narnia by C.S. Lewis;
3.
A Wrinkle in Time by Madeleine L'Engle
Best TV Shows
1.
The Simpsons, created by Matt Groening (1989- )
2.
The Mary Tyler Moore Show;
3.
The CBS Evening News with Walter Cronkite
Best Dances
1.
The Four Temperaments by George Balanchine (1946)
2.
Esplanade by Paul Taylor;
3.
Jardin aux Lilas by Antony Tudor
Best Films
1.
Citizen Kane, directed by and starring Orson Welles
(1941)
2.
Day for Night by Francois Truffaut;
3.
Chinatown by Roman Polanski
Best Novels
1.
Ulysses by James Joyce (1922)
2.
One Hundred Years of Solitude by Gabriel Garcia
Marquez;
3.
Lolita by Vladimir Nabokov
Best Nonfiction Books
1.
The Gulag Archipelago by Aleksandr Solzhenitsyn (1974)
2.
The Diary of a Young Girl by Anne Frank;
3.
The Double Helix by James Watson
Best Operas
1.
Peter Grimes by Benjamin Britten (1945)
2.
Wozzeck by Alban Berg;
3.
Madama Butterfly by Giacomo Puccini
Best Comedies
1.
Routine "Who's on First?" by Abbott and
Costello (1938)
2.
"Dead Parrot," Monty Python;
3.
"Rope Tricks," Will Rogers
Best Songs
1.
Strange Fruit by Billie Holiday (1939)
2.
Corcovado by Antonio C. Jobim;
3.
A Hard Rain's a-Gonna Fall by Bob Dylan
Best Designs
1.
The Eames molded plywood chair, designed by Charles
Eames (1946)
2.
The S-1 steam locomotive by Raymond Loewy;
3.
the Swatch watch
Best Plays
1.
Six Characters in Search of an Author by Luigi
Pirandello (1921)
2.
Man and Superman by George Bernard Shaw;
3.
Long Day's Journey into Night by Eugene O'Neill
Best Classical Compositions
1.
Symphony of Psalms by Igor Stravinsky (1930)
2.
String Quartet in F Major by Maurice Ravel;
3.
Appalachian Spring by Aaron Copland
Best Poems
1.
The Waste Land by T.S. Eliot (1922)
2.
The Second Coming by W.B. Yeats;
3.
Home Burial by Robert Frost
Best Paintings
1.
The Red Studio by Henri Matisse (1911)
2.
Still-Life with Chair Caning by Pablo Picasso;
3.
Dog Barking at the Moon by Joan Miro
Best Sculptures
1.
Bird in Space by Constantin Brancusi (this version c.
1941)
2.
Guitar by Pablo Picasso;
3.
The Chariot by Alberto Giacometti
Best Buildings
1.
The chapel at Ronchamp, France by Le Corbusier (1955)
2.
The Seagram Building by Ludwig Mies van der Rohe;
3.
Fallingwater by Frank Lloyd Wright
Best Albums
1.
Exodus by Bob Marley & the Wailers (1977)
2.
Kind of Blue by Miles Davis;
3.
Are You Experienced? by Jimi Hendrix
Best Photographs
1.
Place de l'Europe, Paris by Henri Cartier-Bresson
(1932)
2.
Identifying the Dead, Russian Front by Dmitri
Baltermants;
3.
Wall Street by Paul Strand
1 Ağustos 2012 Çarşamba
THE 10 BEST ARABIC NOVELS EVER
1.
Season
of Migration to the North, 1966 Tayeb Salih
2.
Cities of Salt, 1984-89 Abdel Rahman Munif
3. The Cairo
Trilogy, 1956-57 Naguib Mahfouz
4. I Saw Ramallah, 1997 Mourid Barghouti
5. Children of
Gabalawi, 1959 Naguib
Mahfouz
6. Men in the Sun, 1962 Ghassan Kanafani
7.
The
Secret Life of Saeed: The Pessoptimist, 1974 Emile Habiby
8.
Gate
of the Sun,
1998 Elias Khoury
9.
Zaat, 1992 Sonallah Ibrahim
10. For Bread Alone, 1973 Mohammed Choukri
28 Temmuz 2012 Cumartesi
THE BEST SPANISH NOVELS OF 20TH CENTURY
- One Hundred Years of Solitude, 1967 Gabriel Garcia Marquez
- Hopscotch, 1963 Julio Cortázar
- Pedro Páramo, 1955 Juan Rulfo
- Love in the Time of Cholera, 1985 Gabriel Garcia Marquez
- The Death of Artemio Cruz, 1962 Carlos Fuentes
- The Tunnel, 1948 Ernesto Sabato
- Three Trapped Tigers, 1967 Guillermo Cabrera Infante
- On Heroes and Tombs, 1961 Ernesto Sabato
- The Savage Detectives, 1998 Roberto Bolaño
- The Green House, 1966 Mario Vargas Llosa
- The Kingdom of This World, 1949 Alejo Carpentier
- The House of the Spirits, 1982 Isabel Allende
- Mister President, 1946 Miguel Ángel Asturias
- I, the Supreme, 1974 Augusto Roa Bastos
- The Invention of Morel, 1940 Adolfo Bioy Casares
- The Family of Pascual Duarte, 1942 Camilo José Cela
- Paradiso, 1966 José Lezama Lima
- Kiss of the Spider Woman, 1976 Manuel Puig
- The Time of the Hero, 1963 Mario Vargas Llosa
- The Obscene Bird of Night, 1970 José Donoso
- Deep Rivers, 1958 José María Arguedas
- Time of Silence, 1962 Luis Martín Santos
- The Memoirs of Mamá Blanca, 1926 Teresa de la Parra
- San Manuel Bueno, martir, 1930 Miguel de Unamuno
- A Heart So White, 1992 Javier Marías
- Nada, 1944 Carmen Laforet
9 Temmuz 2012 Pazartesi
15 Haziran 2012 Cuma
THE 10 GREATEST NOVELS EVER IN PORTUGUESE LANGUAGE
- Dom Casmurro, Machado de Assis, 1899
- The Devil to Pay in the Backlands, Guimarães Rosa, 1956
- Blindness, José Saramago, 1995
- The Posthumous Memoirs of Bras Cubas, Machado de Assis, 1881
- The Maias, Eça de Queirós, 1888
- Macunaíma, Mário de Andrade, 1928
- Barren Lives, Graciliano Ramos, 1938
- The Land at the End of the World, António Lobo Antunes, 1979
- Triste Fim de Policarpo Quaresma (Sad End of Policarpo Quaresma), Lima Barreto, 1911
- Gabriela, Clove and Cinnamon, Jorge Amado, 1958
10 Haziran 2012 Pazar
100 GREATEST BOOKS OF TURKISH LITERATURE
- Orhun Yazıtları (The Orkhon Inscriptions), Bilge Khagan & Tonyukuk, 720-735
- Kutadgu Bilig (The Wisdom Which Brings Happiness), Yusuf Khas Hajib, 1069
- Divan-ı Hikmet (The Book of Wisdom), Ahmat Yasawi, 12th century
- Dîvân (Collected Poems), Yunus Emre, 13th century
- Dîvân (Collected Poems), Ahmedî, 14th century
- Mevlîd (The Birth of the Prophet), Suleiman Çelebi, 1409
- Harnâme (The Book of the Donkey), Şeyhî, 1410s
- Dede Korkut Kitâbı (The Book of Dede Korkut), Dede Korkut, 15th century
- Dîvân (Collected Poems), Necâtî, 15th century
- Dîvân (Collected Poems), Fużūlī, 16th century
- Dâstân-ı Leylî vü Mecnûn (The Epic of Layla and Majnun), Fużūlī, 1535
- Tüm Şiirleri (Collected Poems), Pir Sultan Abdal, 16th century
- Dîvân (Collected Poems), Bâkî, 16th century
- Dîvân(Collected Poems), Nef’î, 17th century
- Dîvân(Collected Poems), Nâ’ilî, 17th century
- Seyahatname (The Book of Travels), Evliya Çelebi, 1640-1682
- Tüm Şiirleri (Collected Poems), Âşık Ömer, 17th century
- Tüm Şiirleri (Collected Poems), Karacaoğlan, 17th century
- Hayriyye (Good Things/ The Advice Book of A Son), Nâbî, 1701
- Dîvân (Collected Poems), Nedîm, 18th century
- Hüsn ü Aşk (Beauty and Love), Şeyh Gâlib, 1783
- Tüm Şiirleri (Collected Poems), Dadaloğlu, 19th century
- Tüm Şiirleri (Collected Poems), Dertli, 19th century
- Tüm Şiirleri (Collected Poems), Erzurumlu Emrah, 19th century
- Şair Evlenmesi (The Wedding of a Poet), İbrahim Şinasi, 1860
- Vatan yahut Silistre (Fatherland or Silistria), Namık Kemal, 1873
- Tüm Şiirleri (Collected Poems), Ziya Pasha, 1855-1880
- Ta'aşşûk-ı Tal'at ve Fitnât (The Love Between Talat and Fitnat), Sami Frashëri, 1872
- Felatun Bey'le Rakım Efendi (Mr. Felatun and Mr. Rakim), Ahmet Mithat, 1875
- Makber(The Grave), Abdülhak Hâmid Tarhan, 1885
- Küçük Şeyler (Bagatelles), Samipashazade Sezai, 1890
- Karabibik, Nabizâde Nâzım, 1891
- Araba Sevdası (Car Love), Recaizade Mahmud Ekrem, 1896
- Aşk-ı Memnu (The Forbidden Love), Halit Ziya Uşaklıgil, 1900
- Eylül (September), Mehmet Rauf, 1901
- Tüm Şiirleri (Collected Poems), Tevfik Fikret, 1895-1915
- Şıpsevdi(Quick Lover), Hüseyin Rahmi Gürpınar, 1911
- Bütün Öyküleri (Collected Stories), Ömer Seyfettin, 1905-1920
- Tüm Şiirleri (Collected Poems), Ahmet Haşim, 1905-1933
- Safahat (Phases), Mehmet Akif Ersoy, 1910-1933
- Bütün Öyküleri (Collected Stories), Memduh Şevket Esendal, 1910-1952
- Memleket Hikâyeleri (Hometown Stories), Refik Halit Karay, 1919
- Çalıkuşu (The Wren/ The Autobiography Of A Turkish Girl), Reşat Nuri Güntekin, 1922
- Kiralık Konak (Mansion for Rent), Yakup Kadri Karaosmanoğlu, 1922
- Dokuzuncu Hariciye Koğuşu (Surgical Ward Nine), Peyami Safa, 1930
- Yaban (The Stranger), Yakup Kadri Karaosmanoğlu, 1932
- Ayaşlı ve Kiracıları (Ayaşlı and His Tenants), Memduh Şevket Esendal, 1934
- Simavna Kadısı Oğlu Şeyh Bedrettin Destanı(The Epic of Sheikh Bedreddin), Nazım Hikmet, 1936
- Sinekli Bakkal (The Clown and His Daughter), Halide Edip Adıvar, 1936
- Kuyucaklı Yusuf (Yusuf of Kuyucak), Sabahattin Âli, 1937
- Üç İstanbul (Three İstanbuls), Mithat Cemal Kuntay, 1938
- Çocuk ve Allah (The Child and the God), Fazıl Hüsnü Dağlarca, 1940
- Fahim Bey ve Biz (Mr. Fahim and Us), Abdülhak Şinasi Hisar, 1941
- Garip (Strange), Orhan Veli Kanık, 1941
- Yeni Dünya (New World), Sabahattin Âli, 1943
- Günlerin Getirdiği (What Days Bring), Nurullah Ataç, 1946
- Otuz Beş Yaş (Age Thirty five), Cahit Sıtkı Tarancı, 1946
- Huzur (A Mind at Peace), Ahmet Hamdi Tanpınar, 1949
- Bizim Köy (Our Village), Mahmut Makal, 1950
- Düdüklü Tencere (Pressure Cooker), Metin Eloğlu, 1951
- Dost (Friend), Vüs’at O.Bener, 1952
- Evler (Houses), Behçet Necatigil, 1953
- Om Mani Padme Hum, Asaf Halet Çelebi, 1953
- Alemdağda Var Bir Yılan (There is a Snake at Alemdağ), Sait Faik Abasıyanık, 1954
- Bereketli Topraklar Üzerinde (On Fertile Lands), Orhan Kemal, 1954
- İnce Memed (Memed, My Hawk), Yaşar Kemal, 1955
- Esir Şehrin İnsanları (People of the Captive City),Kemal Tahir, 1956
- Perçemli Sokak (The Curled Street), Oktay Rifat, 1956
- Sultan Hamit Düşerken (While Sutan Hamit Fell), Nahit Sırrı Örik, 1957
- Yerçekimli Karanfil (Gravitational Carnation), Edip Cansever, 1957
- Üvercinka, Cemal Süreya, 1958
- Aylak Adam (The Idle Man), Yusuf Atılgan, 1959
- Dünyanın En Güzel Arabistanı (The Most Beautiful Arabia in the World), Turgut Uyar, 1959
- İshak, Onat Kutlar, 1959
- Yılanların Öcü (The Vengeance of the Snakes), Fakir Baykurt, 1959
- Orta Direk (The Wind from the Plain), Yaşar Kemal, 1960
- Kendi Gök Kubbemiz (Our Own Sky), Yahya Kemal Beyatlı, 1961
- Çile (The Suffering) , Necip Fazıl Kısakürek, 1962
- Saatleri Ayarlama Enstitüsü (The Time Regulation Institute) , Ahmet Hamdi Tanpınar, 1962
- Kolları Bağlı Odysseus (Odysseus Bound) Melih Cevdet Anday, 1963
- Küçük Ağa (Young Agha),Tarık Buğra, 1963
- Yanık Saraylar (Burnt Palaces), Sevim Bura, 1965
- Memleketimden İnsan Manzaraları (Human Landscapes from My Country), Nazım Hikmet, 1967
- Gecede (In the Darkness of the Night), Leyla Erbil, 1968
- Hasretinden Prangalar Eskittim (Fetters Worn Out by Longing), Ahmed Arif, 1968
- Ay Büyürken Uyuyamam (I Cannot Sleep While the Moon Rises), Necati Cumalı, 1969
- Uzun Sürmüş Bir Günün Akşamı (The Evening of a Very Long Day), Bilge Karasu, 1970
- Parasız Yatılı (Free Boarding School) Füruzan, 1971
- Tutunamayanlar (Disconnectus Erectus), Oğuz Atay, 1972
- Anayurt Oteli (Motherland Hotel), Yusuf Atılgan, 1973
- Devlet ve Tabiat (The State and Nature), Ece Ayhan, 1973
- Şiirler (Poems), Ahmet Muhip Dıranas, 1974
- O/ Hakkâri’de Bir Mevsim (He/ A Season in Hakkâri), Ferit Edgü, 1977
- Bir Düğün Gecesi (A Wedding Night), Adalet Ağaoğlu, 1979
- Sevgili Arsız Ölüm (Dear Shameless Death), Latife Tekin, 1983
- Kara Kitap (The Black Book),Orhan Pamuk, 1990
- Gölgesizler (The Shadowless), Hasan Ali Toptaş, 1995
- Puslu Kıtalar Atlası (The Atlas of Misty Continents), İhsan Oktay Anar, 1995
- Uzak Noktalara Doğru (Towards Far Points), Cemil Kavukçu, 1995
- Benim Adım Kırmızı (My Name is Red), Orhan Pamuk, 1998
HONORABLE MENTION
- Dîvân (Collected Poems), Kadı Burhaneddin, 14th century
- Dîvân (Collected Poems), Nesimî, 14th century
- Dîvân (Collected Poems), Ahmed Pasha, 15th century
- Dîvân (Collected Poems), Hayâlî, 16th century
- Tüm Şiirleri (Collected Poems), Bayburtlu Zihnî, 19th century
- Letaif-i Rivayat (An Account of Pleasant Feelings), Ahmet Mithat, 1870-1895
- İntibah (Awakening), Namık Kemal, 1876
- Sergüzeşt (An Adventure) Samipashazade Sezai, 1887
- Zehra, Nabizade Nazım, 1896
- Mai ve Siyah (Blue and Black), Halit Ziya Uşaklıgil, 1897
- Tüm Şiirleri (Collected Poems), Cenap Şahabettin, 1895-1934
- Aganta Burina Burinata, Halikarnas Balıkçısı, 1945
- Beş Şehir (Five Cities), Ahmet Hamdi Tanpınar, 1946
- Köşebaşı (Corner/ The Neighbourhood), Ahmet Kutsi Tecer, 1947
- Kestim Kara Saçlarımı (I Cut My Dark Hair), Gülten Akın, 1960
- SuyuArayan Adam (The Man in Search of Water), Şevket Süreyya Aydemir, 1961
- Mısırkalyoniğne, İlhan Berk, 1962
- Keşanlı Ali Destanı (The Ballad of Ali from Keshan), Haldun Taner, 1964
- Hızır'la Kırk Saat (Forty Hours With Khizr), Sezai Karakoç, 1967
- Şafak (Dawn), Sevgi Soysal, 1975
- Cevdet Bey ve Oğulları (Mr. Cevdet and His Sons), Orhan Pamuk, 1982
- Beyaz Kale (The White Castle), Orhan Pamuk, 1985
- Gece (The Night), Bilge Karasu, 1985
- Bin Hüzünlü Haz (A Thousand Gloomy Pleasures), Hasan Ali Toptaş, 1998
- Tol, Murat Uyurkulak, 2002
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