22 Eylül 2012 Cumartesi

THE BEST KRAUTROCK SONGS EVER

  1. Mother Sky (1969), Can 
  2. Sandoz in the Rain (1970), Amon Düül II 
  3. Negativland (1972), Neu! 
  4. From the Side of the Machine (1973), Faust & Tony Conrad 
  5. Soap Shop Rock (1970), Amon Düül II 
  6. Kyrie! (1972),Popol Vuh 
  7. Paperhouse (1971), Can 
  8. Wunderschatze (1976), Novalis 
  9. Hungry Looser (1970), Virus 
  10. Death of an Analogue (1980), Klaus Schulze 
  11. Amboss (1971), Ash Ra Tempel 
  12. Spoon (1972), Can 
  13. Autobahn (1974), Kraftwerk 
  14. Der Wagen (1973), Walter Wegmüller 
  15. Der LSD-Marsch (1970), Guru Guru 
  16. Kanaan (1969), Amon Düül II 
  17. Das Schloss des Irrtums (1978), Popol Vuh 
  18. So Far (1972), Faust 
  19. Chain Reaction (1974), Can 
  20. Sommerabend (1976), Novalis 
  21. Darkness: Flowers Must Die (1972), Ash Ra Tempel 
  22. Sowiesoso (1976), Cluster 
  23. Für Immer (1973), Neu! 
  24. Ashes to Ashes (1970), Tangerine Dream 
  25. Babylon (1971), Deuter 
  26. Endless Game (1970), Virus 
  27. Daytime (1972), Jane 
  28. Dizzy Dizzy (1974), Can 
  29. Seven Up (1972),Timothy Leary & Ash Ra Tempel 
  30. Vuh (1971), Popol Vuh 
  31. Kling Klang (1972), Kraftwerk 
  32. Rockpommel's Land (1977), Grobschnitt 
  33. Leb' Wohl (1975), Neu! 
  34. Father Cannot Yell (1969), Can 
  35. Luzifer's Ghilom (1969), Amon Düül II 
  36. Picnic On A Frozen River (1973), Faust 
  37. Watussi (1974), Harmonia 
  38. Düsseldorf (1976), La Düsseldorf 
  39. Stone In (1970), Guru Guru 
  40. L'hiver doux (1975), Ash Ra Tempel

THE BEST KRAUTROCK ALBUMS EVER


  1. Yeti (1970), Amon Düül II 
  2. Tago Mago (1971), Can 
  3. Hosianna Mantra (1972), Popol Vuh 
  4. Outside the Dream Syndicate (1973), Faust & Tony Conrad 
  5. Ash Ra Tempel (1971), Ash Ra Tempel 
  6. Kraftwerk 2 (1972), Kraftwerk 
  7. Tarot (1973), Walter Wegmüller 
  8. Ege Bamyasi (1972), Can 
  9. Neu! (1971), Neu! 
  10. Phallus Dei (1969), Amon Düül II 
  11. Revelation (1970), Virus 
  12. Sommerabend (1976), Novalis 
  13. Monster Movie (1969), Can 
  14. In den Gärten Pharaos (1971), Popol Vuh 
  15. Faust So Far (1972), Faust 
  16. D (1971), Deuter
  17. Neu! 2 (1973), Neu! 
  18. UFO (1970), Guru Guru 
  19. Musik Von Harmonia (1974), Harmonia 
  20. Together (1972), Jane

10 Ağustos 2012 Cuma

THE TOP 10 MOST DIFFICULT BOOKS






THE TOP 10 MOST DIFFICULT BOOKS
by 
Emily Colette Wilkinson & Garth Risk Hallberg


Back in 2009, The Millions started its "Difficult Books" series--devoted to identifying the hardest and most frustrating books ever written, as well as what made them so hard and frustrating. The two curators, Emily Colette Wilkinson and Garth Risk Hallberg, have selected the most difficult of the most difficult, telling us about the 10 literary Mt. Everests waiting out there for you to climb, should you be so bold.



Emily's Picks


1-Nightwood by Djuna Barnes - Dylan Thomas called Nightwood "one of the three greatest prose books ever written by a woman,” but in order to behold this greatness you must master Barnes' tortuous, gothic prose style. In his introduction to the novel, T.S Eliot described Nightwood’s prose as “altogether alive” but also “demanding something of a reader that the ordinary novel-reader is not prepared to give.” Nightwood is a novel of ideas, a loose collection of monologues and descriptions. What will keep you going: The cross-dressing Irish-American "Dr. Matthew-Mighty-grain-of-salt-Dante O'Connor," who, when not wandering Paris, drinking heavily, or dressing in nighties, rouge, and wigs of cascading golden curls, is expounding great rambling sermons that fill most of the book. These are funny, dirty, absurd, despairing, resigned—even hopeful in a Becketty I-can't-go-on-I'll-go-on kind of way. 


 2-A Tale of A Tub by Jonathan Swift - The first difficulty: The superabundant references to obsolete cultural squabbles (some obscure even in Swift’s eighteenth-century England) and then there’s the narratorial persona: an impoverished, syphilitic madman who cuts pieces out of his manuscript and his fellow citizens remorselessly. His compulsive digressiveness is deliberately baffling, but more baffling still is that this satire, aimed at “the Abuses and Corruptions in Learning and Religion” and written by a conservative, Anglican clergyman, ends finding nothing sacred. If you can bear it (and the 100s of footnotes you’ll need to understand its historical context), it’s the ultimate expression of cultural alienation and despair.

3-The Phenomenology of the Spirit by G.F. Hegel - Do you enjoy a good intellectual gobsmack every now and again? If so, Hegel’s your man and this book, a classic of German idealism and unquestionably one of the most important works of modern philosophy, is a fine place to start. Hegel’s refutation of Kantian idealism, history of consciousness, and quintessential explanation of the process of the dialectic is hard to understand and harder still to retain (“goes through you like lentils,” as one Stanford professor described it to me), due first and foremost to the breadth of its subject and its terminology. The book’s nearly impenetrable without a good edition and guide or two: The Oxford UP edition is widely considered the best (and don’t skip the notes and foreward) and the Routledge Philosophy Guidebook’s commentary by Robert Stern makes good warm-up reading; also good (and free) are J.M. Bernstein’s lecture notes for his UC Berkeley graduate course on the Phenomenology, available at BernsteinTapes.com.


4-To The Lighthouse by Virginia Woolf - In its intermingling of separate consciousnesses, Virginia Woolf’s fiction is both intellectually and psychically difficult. Not only is it hard to tell who’s who and who’s saying or thinking what, it is also disconcerting—even queasy-making—to be set adrift in other minds, with their private rhythms and associative patterns. It feels, at times, like being occupied by an alien consciousness. Some readers don’t ever find their sea-legs with Woolf.  The trick is to surrender yourself (true with other high modernists too), to let the prose wash over you and take you where it will—not to worry too much about understanding a dogmatic way.

 
5-Clarissa, Or the History of a Young Lady by Samuel Richardson - Richardson’s Clarissa is a heavyweight in more ways than one. The novel’s physical heft is part of its difficulty (she weighs in at just under three pounds in Penguin’s oversized edition), especially as her 1500 pages are light on plot (Samuel Johnson said you’d hang yourself if you read Clarissa for the plot). But what the novel lacks in plot it makes up for in psychological depth. Richardson was the first master of the psychological novel and he hasn’t been bested since. These depths are also dark and psychically wrenching: Clarissa's rejection and dehumanization by her monstrous family and the sadistic torments she undergoes at the hands of her rescuer turned torturer, the "charming sociopath" Robert Lovelace, offer some of the most emotionally harrowing reading experiences available in English.
   





Garth's Picks


1-Finnegans Wake by James Joyce -Finnegans Wake is long, dense, and linguistically knotty, yet hugely rewarding, if you're willing to learn how to read it. By this, I don't mean wallowing in the froth of scholarly exegesis the Wake churned up in its wake. Not the first time out, at least. (I take Joyce's talk about setting traps for his readers as an expression of hostility born out of years of frustration.) Rather, I mean surrendering to Joyce's music. Meaning here is more a question of effect than of decoding; in this way, this Difficult Book is paradigmatic of great literature more generally. Try reading 25 pages a day, out loud, in your best bad Irish accent. (Seriously - some of what seems like idiolectic obscurity is just a question of how you pronounce your vowels.) You'll be maddened, you'll be moved, and you'll be done in about four weeks.
 

2-Being & Time by Martin Heidegger - Being & Time is probably the hardest book I've ever read. To contradict what I said vis-a-vis Joyce, I don't feel comfortable as a reader of Heidegger letting things wash over me. Literary meaning and philosophical meaning are different beasts, and Being & Time, with its intentionally obtrusive neologisms, isn't meant to be dreamlike. It aims instead to be, among other things, a new kind of science, or a new foundation on which to build the sciences - an understanding of what it means "to be." Heiddeger gets a lot of things shockingly right, and yet the book's abstractness and rigor mean that most of his discoveries remain well-kept secrets. Even reading the first half in a graduate-level seminar, it took me over a year to get through this one. Was persevering worth it? Well, it changed my life. I don't know how much more a reader can ask for.


3-The Faerie Queene by Edmund Spenser - The difficulty and the pleasure of reading Spenser's masterpiece arise from a common source: its semiotic promiscuity. The Faerie Queene is allegory to the power of allegory. Or it is allegory drunk out of its mind on sugary wine, dressed up in layers of costumery, made to run singing through the garden of Eden at four o' clock in the morning before falling down in a heap at sunrise to make silver love to itself. Or it's the product of that lovemaking, tenor and vehicle copulating so variously and complexly that each becomes the other. There is much madness here, not least in the sheer hubris of Spenser's plan. (Like Heidegger, he only finished half of his magnum opus.) The Faerie Queene is also, bizarrely, a work of exquisite poetic control, hundreds upon hundreds of perfectly turned stanzas. I read it in college. It was hard as hell, and I forgot the plot even while I was reading, but many of its images remain burned into my brain ten years later.


4-The Making of Americans by Gertrude Stein - I've been working my way through The Making of Americans for many summers now. I keep getting several hundred pages in, switching to something else, and then, as with Heidegger, returning to find I've lost the thread. But what Heidegger describes, Stein evokes; to read even a page of The Making of Americans is to be thrown into a unique state of attunement. The fineness of attention its exquisite narrative tedium promotes is like an antidote to the shallows of the internet. Beyond the page, birds sing louder, sunlight grows thicker, car horns bare their souls. "The first stunningly original disaster of Modernism," someone wrote about this book, and while I'm not sure it was intended as a compliment, it makes me wish there were more disasters like this.

 
5-Women & Men by Joseph McElroy - In this space I could put any number of postmodern meganovels - a subgenre I've been smitten with for many years now. There's William Gaddis' JR, which is easier than people make it out to be, and Pynchon's Gravity's Rainbow, which is harder. There's The Recognitions and Mason & Dixon. There's William H. Gass' The Tunnel - verbally lucid, but morally arduous. Of the lot, though, I'd like to shine the spotlight again on Joseph McElroy's Women & Men. It is longer than any of the foregoing, and, in the idiosyncracies of its prose, on par with the hardest. Parts of it, anyway. Its temperament, though, is completely sui generis - warm, humanist, synthetic rather than analytic. As I wrote for the L.A. Times a few years back, it's like an entirely different version of what comes after Modernism. It's a weird and wonderful book, and I can't wait to dive into it again.






Emily Colette Wilkinson is a critic living in Washington, DC. Her reviews have received commendations from The Society of Professional Journalists and The Virginia Quarterly Review.

Garth Risk Hallberg is the author of A Field Guide to the North American Family and is a contributing editor at The Millions.

9 Ağustos 2012 Perşembe

BEST NOVELLAS EVER


  1. The Metamorphosis (1915), Franz Kafka
  2. Heart of Darkness (1902), Joseph Conrad
  3. Notes from Underground (1864), Fyodor Dostoyevsky
  4. The Death of Ivan Llyich (1886), Leo Tolstoy
  5. The Little Prince (1943), Antoine de Saint-Exupéry
  6. Ward Number Six (1892) Anton Chekhov 
  7. A Christmas Carol (1843), Charles Dickens
  8. The Old Man and the Sea (1952), Ernest Hemingway
  9. Strange Case of Dr Jekyll and Mr Hyde (1886), Robert Louis Stevenson
  10. Animal Farm (1945), George Orwell
  11. Of Mice and Men (1937), John Steinbeck
  12. Michael Kohlhaas ( 1811), Heinrich von Kleist
  13. The Royal Game (1942)Stefan Zweig
  14. The Dead (1914), James Joyce
  15. Daisy Miller (1878), Henry James
  16. The Steppe (1888) Anton Chekhov 
  17. Chronicle of a Death Foretold (1981), Gabriel Garcia Marquez
  18. Death in Venice (1913), Thomas Mann
  19. The Kreutzer Sonata (1889), Leo Tolstoy
  20. Billy Budd (1892; first published in 1924), Herman Melville
  21. The Turn of the Screw (1898), Henry James
  22. An Episode in the Life of a Landscape Painter (2000), César Aira
  23. Prince Ehtejab (1969), Houshang Golshiri
  24. The Alienist (1882), Machado de Assis
  25. The Aspern Papers (1888), Henry James
  26. Running (2008), Jean Echenoz
  27. Dreams of Dreams and the Last Three Days of Fernando Pessoa (1994), Antonio Tabucchi
  28. Stevenson under the Palm Trees (2003) Alberto Manguel
  29. Dream Story (1926), Arthur Schnitzler
  30. The House of Paper (2002), Carlos María Domínguez 
  31. The Pearl (1947), John Steinbeck
  32. San Manuel Bueno, mártir (1930), Miguel de Unamuno
  33. A River Runs Through It (1976), Norman Maclean
  34. House of the Sleeping Beauties (1961), Yasunari Kawabata
  35. The Golden Pot (1814), E. T. A. Hoffmann
  36. Earth and Ashes (2000), Atiq Rahimi
  37. Three Years (1895), Anton Chekhov 
  38. The Legend of the Holy Drinker (1939), Joseph Roth
  39. Benito Cereno (1855), Herman Melville
  40. The Nigger of the 'Narcissus' (1897), Joseph Conrad
  41. Aura (1962), Carlos Fuentes
  42. The Rider on the White Horse (1888), Theodor Woldsen Storm

8 Ağustos 2012 Çarşamba

THE BEST BRITISH NOVELS OF 20th CENTURY


  1. To The Lighthouse (1927), Virginia Woolf
  2. Nineteen Eighty-Four (1949), George Orwell
  3. Nostromo (1904), Joseph Conrad
  4. Mr.Dalloway (1925), Virginia Woolf
  5. Sons and Lovers (1913), D. H. Lawrence
  6. Under the Volcano (1947), Malcolm Lowry
  7. A Passage to India (1924), E. M. Forster
  8. Lord of the Flies (1954), William Golding 
  9. The Golden Notebook (1962), Doris Lessing
  10. The French Lieutenant's Woman (1969), John Fowles
  11. Lord Jim (1900), Joseph Conrad
  12. Brave New World (1931), Aldous Huxley
  13. The Way of All Flesh (1903), Samuel Butler
  14. Midnight's Children (1981), Salman Rushdie
  15. The Alexandria Quartet (1957-1960), Lawrence George Durrell
  16. Howard's End (1910), E. M. Forster
  17. I, Claudius (1934), Robert Graves
  18. The Power and the Glory (1940), Graham Greene
  19. Brideshead Revisited (1945), Evelyn Waugh
  20. A Bend in the River (1979), V. S. Naipaul
  21. The Lord Of The Rings (1954-55), J. R. R. Tolkien
  22. Lanark (1981), Alasdair Gray
  23. Money (1984), Martin Amis
  24. The Rainbow (1915), D. H. Lawrence
  25. The Forsyte Saga (1906-21), John Galsworthy




5 Ağustos 2012 Pazar

THE BEST 50 PLAYS OF 20th CENTURY


  1. Waiting for Godot (1953), Samuel Beckett
  2. Mother Courage and Her Children (1939), Bertolt Brecht
  3. Long Day's Journey Into Night (1956), Eugene O'Neill
  4. Death of a Salesman (1949), Arthur Miller
  5. The Cherry Orchard (1904), Anton Chekhov
  6. The Bald Soprano (1940), Eugène Ionesco
  7. Six Characters in Search of an Author (1921), Luigi Pirandello
  8. A Dream Play (1901), August Strindberg
  9. The House of Bernarda Alba (1936), Federico Garcia Lorca
  10. A Streetcar Named Desire (1947), Tennessee Williams
  11. The Man Outside (1946), Wolfgang Borchert
  12. Look Back in Anger (1956), John Osborne
  13. The Threepenny Opera (1928), Bertolt Brecht
  14. A Clinical Case (1953), Dino Buzzati
  15. Private Lives (1930), Noel Coward
  16. The Crucible (1953), Arthur Miller
  17. Three Sisters (1901), Anton Chekhov
  18. Marat/Sade (1963), Peter Weiss
  19. Kaspar (1967), Peter Handke
  20. Major Barbara (1905) George Bernard Shaw
  21. The Last Days of Mankind (1922), Karl Kraus
  22. Rhinoceros (1959), Eugène Ionesco
  23. Rosencrantz and Guildenstern are Dead (1966), Tom Stoppard
  24. The Caretaker (1959), Harold Pinter
  25. Pygmalion (1912), George Bernard Shaw
  26. Who's Afraid of Virginia Woolf (1962), Edward Albee
  27. Death and The King's Horseman (1975), Wole Soyinka
  28. The Balcony (1955), Jean Genet
  29. Andorra (1961), Max Frisch
  30. The Investigation (1965), Peter Weiss
  31. Endgame (1957), Samuel Beckett
  32. Murder in the Cathedral (1935), T. S. Eliot
  33. The Lesson (1951), Eugène Ionesco
  34. Accidental Death of an Anarchist (1970), Dario Fo
  35. Hoppla, We're Alive! (1927), Ernst Toller
  36. Master Harold...and the boys (1982), Athol Fugard
  37. The Physicists (1962), Friedrich Dürrenmatt
  38. Noh Plays (1950-60),Yukio Mishima
  39. The Ghost Sonata (1907), August Strindberg
  40. Our Town (1938), Thornton Wilder
  41. The Resistible Rise of Arturo Ui (1937-43), Bertolt Brecht
  42. The Homecoming (1964), Harold Pinter
  43. The Iceman Cometh (1946), Eugene O’Neill
  44. Man and Superman (1903), George Bernard Shaw
  45. Angels in America (1993), Tony Kushner
  46. The Chairs (1952), Eugène Ionesco
  47. The Cocktail Party (1949), T. S. Eliot 
  48. Antigone (1944), Jean Anouilh
  49. The Madman and the Nun (1923), Stanisław Ignacy Witkiewicz
  50. The Satin Slipper (1929), Paul Claudel
  51. Juno and the Paycock (1924), Sean O'Casey
  52. Caligula (1944), Albert Camus
  53. The Captain of Köpenick (1931), Carl Zuckmayer
  54. Ping Pong (1955), Arthur Adamov
  55. The Marriage (1965), Witold Gombrowicz
  56. Krapp's Last Tape (1958), Samuel Beckett
  57. The Good Person of Setzuan (1943) Bertolt Brecht
  58. No Exit (1944), Jean-Paul Sartre
  59. Pandora's Box (1904), Frank Wedekind
  60. Electra (1937), Jean Giraudoux

THE GREATEST PLAYWRIGHTS OF 20th CENTURY

  1. Samuel Beckett
  2. Bertolt Brecht
  3. Arthur Miller
  4. Anton Chekov
  5. Eugène Ionesco
  6. Eugene O'Neill
  7. Luigi Pirandello
  8. George Bernard Shaw
  9. Harold Pinter
  10. Tennessee Williams

3 Ağustos 2012 Cuma

The Best Of The 20th Century (TIME Magazine)



Best Children Books:
1.      Charlotte’s Web
2.      The Chronicles of Narnia by C.S. Lewis;
3.      A Wrinkle in Time by Madeleine L'Engle

Best TV Shows
1.      The Simpsons, created by Matt Groening (1989- )
2.      The Mary Tyler Moore Show;
3.      The CBS Evening News with Walter Cronkite

Best Dances
1.      The Four Temperaments by George Balanchine (1946)
2.      Esplanade by Paul Taylor;
3.      Jardin aux Lilas by Antony Tudor

Best Films
1.      Citizen Kane, directed by and starring Orson Welles (1941)
2.      Day for Night by Francois Truffaut;
3.      Chinatown by Roman Polanski

Best Novels
1.      Ulysses by James Joyce (1922)
2.      One Hundred Years of Solitude by Gabriel Garcia Marquez;
3.      Lolita by Vladimir Nabokov

Best Nonfiction Books
1.      The Gulag Archipelago by Aleksandr Solzhenitsyn (1974)
2.      The Diary of a Young Girl by Anne Frank;
3.      The Double Helix by James Watson

Best Operas
1.      Peter Grimes by Benjamin Britten (1945)
2.      Wozzeck by Alban Berg;
3.      Madama Butterfly by Giacomo Puccini

Best Comedies
1.      Routine "Who's on First?" by Abbott and Costello (1938)
2.      "Dead Parrot," Monty Python;
3.      "Rope Tricks," Will Rogers

Best Songs
1.      Strange Fruit by Billie Holiday (1939)
2.      Corcovado by Antonio C. Jobim;
3.      A Hard Rain's a-Gonna Fall by Bob Dylan

Best Designs
1.      The Eames molded plywood chair, designed by Charles Eames (1946)
2.      The S-1 steam locomotive by Raymond Loewy;
3.      the Swatch watch

Best Plays
1.      Six Characters in Search of an Author by Luigi Pirandello (1921)
2.      Man and Superman by George Bernard Shaw;
3.      Long Day's Journey into Night by Eugene O'Neill

Best Classical Compositions
1.      Symphony of Psalms by Igor Stravinsky (1930)
2.      String Quartet in F Major by Maurice Ravel;
3.      Appalachian Spring by Aaron Copland

Best Poems
1.      The Waste Land by T.S. Eliot (1922)
2.      The Second Coming by W.B. Yeats;
3.      Home Burial by Robert Frost

Best Paintings
1.      The Red Studio by Henri Matisse (1911)
2.      Still-Life with Chair Caning by Pablo Picasso;
3.      Dog Barking at the Moon by Joan Miro

Best Sculptures
1.      Bird in Space by Constantin Brancusi (this version c. 1941)
2.      Guitar by Pablo Picasso;
3.      The Chariot by Alberto Giacometti

Best Buildings
1.      The chapel at Ronchamp, France by Le Corbusier (1955)
2.      The Seagram Building by Ludwig Mies van der Rohe;
3.      Fallingwater by Frank Lloyd Wright

Best Albums
1.      Exodus by Bob Marley & the Wailers (1977)
2.      Kind of Blue by Miles Davis;
3.      Are You Experienced? by Jimi Hendrix

Best Photographs
1.      Place de l'Europe, Paris by Henri Cartier-Bresson (1932)
2.      Identifying the Dead, Russian Front by Dmitri Baltermants;
3.      Wall Street by Paul Strand

1 Ağustos 2012 Çarşamba

THE 10 BEST ARABIC NOVELS EVER


1.      Season of Migration to the North, 1966 Tayeb Salih
2.      Cities of Salt, 1984-89 Abdel Rahman Munif 
3.      The Cairo Trilogy, 1956-57 Naguib Mahfouz
4.       I Saw Ramallah, 1997 Mourid Barghouti
5.      Children of Gabalawi, 1959 Naguib Mahfouz
6.      Men in the Sun, 1962 Ghassan Kanafani
7.      The Secret Life of Saeed: The Pessoptimist, 1974 Emile Habiby
8.      Gate of the Sun, 1998 Elias Khoury
9.      Zaat, 1992 Sonallah Ibrahim
10.  For Bread Alone, 1973 Mohammed Choukri

28 Temmuz 2012 Cumartesi

THE BEST SPANISH NOVELS OF 20TH CENTURY


    1. One Hundred Years of Solitude, 1967 Gabriel Garcia Marquez
    2. Hopscotch, 1963 Julio Cortázar
    3. Pedro Páramo, 1955 Juan Rulfo
    4. Love in the Time of Cholera, 1985 Gabriel Garcia Marquez
    5. The Death of Artemio Cruz, 1962 Carlos Fuentes
    6. The Tunnel, 1948 Ernesto Sabato
    7. Three Trapped Tigers, 1967 Guillermo Cabrera Infante
    8. On Heroes and Tombs, 1961 Ernesto Sabato
    9. The Savage Detectives, 1998 Roberto Bolaño
    10.  The Green House, 1966 Mario Vargas Llosa
    11. The Kingdom of This World, 1949 Alejo Carpentier
    12. The House of the Spirits, 1982 Isabel Allende
    13. Mister President, 1946 Miguel Ángel Asturias
    14. I, the Supreme, 1974 Augusto Roa Bastos
    15. The Invention of Morel, 1940 Adolfo Bioy Casares
    16. The Family of Pascual Duarte, 1942 Camilo José Cela
    17. Paradiso, 1966 José Lezama Lima
    18. Kiss of the Spider Woman, 1976 Manuel Puig
    19. The Time of the Hero, 1963 Mario Vargas Llosa
    20. The Obscene Bird of Night, 1970 José Donoso
    21. Deep Rivers, 1958 José María Arguedas
    22. Time of Silence, 1962 Luis Martín Santos
    23. The Memoirs of Mamá Blanca, 1926 Teresa de la Parra
    24. San Manuel Bueno, martir, 1930 Miguel de Unamuno
    25. A Heart So White, 1992 Javier Marías
    26. Nada, 1944 Carmen Laforet
      
      

      15 Haziran 2012 Cuma

      THE 10 GREATEST NOVELS EVER IN PORTUGUESE LANGUAGE


      1. Dom Casmurro, Machado de Assis, 1899
      2. The Devil to Pay in the Backlands, Guimarães Rosa, 1956
      3. Blindness, José Saramago, 1995
      4. The Posthumous Memoirs of Bras Cubas, Machado de Assis, 1881
      5.  The Maias, Eça de Queirós, 1888
      6. Macunaíma, Mário de Andrade, 1928
      7. Barren Lives, Graciliano Ramos, 1938
      8. The Land at the End of the World,  António Lobo Antunes, 1979
      9. Triste Fim de Policarpo Quaresma (Sad End of Policarpo Quaresma), Lima Barreto, 1911
      10. Gabriela, Clove and Cinnamon, Jorge Amado, 1958

      10 Haziran 2012 Pazar

      100 GREATEST BOOKS OF TURKISH LITERATURE


       
      1. Orhun Yazıtları (The Orkhon Inscriptions), Bilge Khagan & Tonyukuk, 720-735
      2. Kutadgu Bilig (The Wisdom Which Brings Happiness), Yusuf Khas Hajib, 1069
      3. Divan-ı Hikmet (The Book of Wisdom), Ahmat Yasawi, 12th century
      4. Dîvân (Collected Poems), Yunus Emre, 13th century
      5. Dîvân (Collected Poems), Ahmedî, 14th century
      6. Mevlîd (The Birth of the Prophet),  Suleiman Çelebi, 1409
      7. Harnâme (The Book of the Donkey), Şeyhî, 1410s
      8. Dede Korkut Kitâbı (The Book of Dede Korkut), Dede Korkut, 15th century
      9. Dîvân (Collected Poems), Necâtî, 15th century
      10. Dîvân (Collected Poems), Fużūlī, 16th century
      11. Dâstân-ı Leylî vü Mecnûn (The Epic of Layla and Majnun), Fużūlī, 1535
      12. Tüm Şiirleri (Collected Poems), Pir Sultan Abdal, 16th century
      13. Dîvân (Collected Poems), Bâkî, 16th century
      14. Dîvân(Collected Poems), Nef’î, 17th century
      15. Dîvân(Collected Poems), Nâ’ilî, 17th century
      16. Seyahatname (The Book of Travels), Evliya Çelebi, 1640-1682
      17. Tüm Şiirleri (Collected Poems), Âşık Ömer, 17th century
      18. Tüm Şiirleri (Collected Poems), Karacaoğlan, 17th century
      19. Hayriyye (Good Things/ The Advice Book of A Son), Nâbî, 1701
      20. Dîvân (Collected Poems), Nedîm, 18th century
      21. Hüsn ü Aşk (Beauty and Love), Şeyh Gâlib, 1783
      22. Tüm Şiirleri (Collected Poems), Dadaloğlu, 19th century
      23. Tüm Şiirleri (Collected Poems), Dertli, 19th century
      24. Tüm Şiirleri (Collected Poems), Erzurumlu Emrah, 19th century
      25. Şair Evlenmesi (The Wedding of a Poet), İbrahim Şinasi, 1860
      26. Vatan yahut Silistre (Fatherland or Silistria), Namık Kemal, 1873
      27. Tüm Şiirleri (Collected Poems), Ziya Pasha, 1855-1880
      28. Ta'aşşûk-ı Tal'at ve Fitnât (The Love Between Talat and Fitnat), Sami Frashëri, 1872
      29. Felatun Bey'le Rakım Efendi (Mr. Felatun and Mr. Rakim), Ahmet Mithat, 1875
      30. Makber(The Grave), Abdülhak Hâmid Tarhan, 1885
      31. Küçük Şeyler (Bagatelles), Samipashazade Sezai, 1890
      32. Karabibik, Nabizâde Nâzım, 1891
      33. Araba Sevdası (Car Love), Recaizade Mahmud Ekrem, 1896
      34. Aşk-ı Memnu (The Forbidden Love), Halit Ziya Uşaklıgil, 1900
      35. Eylül (September), Mehmet Rauf, 1901
      36. Tüm Şiirleri (Collected Poems), Tevfik Fikret, 1895-1915
      37. Şıpsevdi(Quick Lover), Hüseyin Rahmi Gürpınar, 1911
      38. Bütün Öyküleri (Collected Stories), Ömer Seyfettin, 1905-1920
      39. Tüm Şiirleri (Collected Poems), Ahmet Haşim, 1905-1933
      40. Safahat (Phases), Mehmet Akif Ersoy, 1910-1933
      41. Bütün Öyküleri (Collected Stories), Memduh Şevket Esendal, 1910-1952
      42. Memleket Hikâyeleri (Hometown Stories), Refik Halit Karay, 1919
      43. Çalıkuşu (The Wren/ The Autobiography Of A Turkish Girl), Reşat Nuri Güntekin, 1922
      44. Kiralık Konak (Mansion for Rent), Yakup Kadri Karaosmanoğlu, 1922
      45. Dokuzuncu Hariciye Koğuşu (Surgical Ward Nine), Peyami Safa, 1930
      46. Yaban (The Stranger), Yakup Kadri Karaosmanoğlu, 1932
      47. Ayaşlı ve Kiracıları (Ayaşlı and His Tenants), Memduh Şevket Esendal, 1934
      48. Simavna Kadısı Oğlu Şeyh Bedrettin Destanı(The Epic of Sheikh Bedreddin),  Nazım Hikmet, 1936
      49. Sinekli Bakkal (The Clown and His Daughter), Halide Edip Adıvar, 1936
      50. Kuyucaklı Yusuf (Yusuf of Kuyucak), Sabahattin Âli, 1937
      51. Üç İstanbul (Three İstanbuls), Mithat Cemal Kuntay, 1938
      52. Çocuk ve Allah (The Child and the God), Fazıl Hüsnü Dağlarca, 1940
      53. Fahim Bey ve Biz (Mr. Fahim and Us), Abdülhak Şinasi Hisar, 1941
      54. Garip (Strange), Orhan Veli Kanık, 1941
      55. Yeni Dünya (New World), Sabahattin Âli, 1943
      56. Günlerin Getirdiği  (What Days Bring), Nurullah Ataç, 1946
      57. Otuz Beş Yaş (Age Thirty five), Cahit Sıtkı Tarancı, 1946
      58. Huzur (A Mind at Peace), Ahmet Hamdi Tanpınar, 1949
      59. Bizim Köy (Our Village), Mahmut Makal, 1950
      60. Düdüklü Tencere (Pressure Cooker), Metin Eloğlu, 1951
      61. Dost (Friend), Vüs’at O.Bener, 1952
      62. Evler (Houses), Behçet Necatigil, 1953
      63. Om Mani Padme Hum, Asaf Halet Çelebi, 1953
      64. Alemdağda Var Bir Yılan (There is a Snake at Alemdağ), Sait Faik Abasıyanık, 1954
      65. Bereketli Topraklar Üzerinde (On Fertile Lands), Orhan Kemal, 1954
      66. İnce Memed (Memed, My Hawk), Yaşar Kemal, 1955
      67. Esir Şehrin İnsanları (People of the Captive City),Kemal Tahir, 1956
      68. Perçemli Sokak (The Curled Street), Oktay Rifat, 1956
      69. Sultan Hamit Düşerken (While Sutan Hamit Fell), Nahit Sırrı Örik, 1957
      70. Yerçekimli Karanfil (Gravitational Carnation), Edip Cansever, 1957
      71. Üvercinka, Cemal Süreya, 1958
      72. Aylak Adam (The Idle Man), Yusuf Atılgan, 1959
      73. Dünyanın En Güzel Arabistanı (The Most Beautiful Arabia in the World), Turgut Uyar, 1959
      74. İshak, Onat Kutlar, 1959
      75. Yılanların Öcü (The Vengeance of the Snakes), Fakir Baykurt, 1959
      76. Orta Direk (The Wind from the Plain), Yaşar Kemal, 1960
      77. Kendi Gök Kubbemiz (Our Own Sky), Yahya Kemal Beyatlı, 1961
      78. Çile (The Suffering) , Necip Fazıl Kısakürek, 1962
      79. Saatleri Ayarlama Enstitüsü (The Time Regulation Institute) , Ahmet Hamdi Tanpınar, 1962
      80. Kolları Bağlı Odysseus (Odysseus Bound) Melih Cevdet Anday, 1963
      81. Küçük Ağa (Young Agha),Tarık Buğra, 1963
      82. Yanık Saraylar (Burnt Palaces), Sevim Bura, 1965
      83. Memleketimden İnsan Manzaraları (Human Landscapes from My Country), Nazım Hikmet, 1967
      84. Gecede (In the Darkness of the Night), Leyla Erbil, 1968
      85. Hasretinden Prangalar Eskittim (Fetters Worn Out by Longing), Ahmed Arif, 1968
      86. Ay Büyürken Uyuyamam (I Cannot Sleep While the Moon Rises), Necati Cumalı, 1969
      87. Uzun Sürmüş Bir Günün Akşamı (The Evening of a Very Long Day), Bilge Karasu, 1970
      88. Parasız Yatılı (Free Boarding School) Füruzan, 1971
      89. Tutunamayanlar (Disconnectus Erectus), Oğuz Atay, 1972
      90. Anayurt Oteli (Motherland Hotel), Yusuf Atılgan, 1973
      91. Devlet ve Tabiat (The State and Nature), Ece Ayhan, 1973
      92. Şiirler (Poems), Ahmet Muhip Dıranas, 1974
      93. O/ Hakkâri’de Bir Mevsim (He/ A Season in Hakkâri), Ferit Edgü, 1977
      94. Bir Düğün Gecesi (A Wedding Night), Adalet Ağaoğlu, 1979
      95. Sevgili Arsız Ölüm (Dear Shameless Death), Latife Tekin, 1983
      96. Kara Kitap (The Black Book),Orhan Pamuk, 1990
      97. Gölgesizler (The Shadowless), Hasan Ali Toptaş, 1995
      98. Puslu Kıtalar Atlası (The Atlas of Misty Continents), İhsan Oktay Anar, 1995
      99. Uzak Noktalara Doğru (Towards Far Points), Cemil Kavukçu, 1995
      100. Benim Adım Kırmızı (My Name is Red), Orhan Pamuk, 1998




      HONORABLE MENTION


      1. Dîvân (Collected Poems), Kadı Burhaneddin, 14th century
      2. Dîvân (Collected Poems), Nesimî, 14th century
      3. Dîvân (Collected Poems), Ahmed Pasha, 15th century
      4. Dîvân (Collected Poems), Hayâlî, 16th century
      5. Tüm Şiirleri (Collected Poems), Bayburtlu Zihnî, 19th century
      6. Letaif-i Rivayat (An Account of Pleasant Feelings), Ahmet Mithat, 1870-1895
      7. İntibah (Awakening), Namık Kemal, 1876
      8. Sergüzeşt (An Adventure) Samipashazade Sezai, 1887
      9. Zehra, Nabizade Nazım, 1896
      10. Mai ve Siyah (Blue and Black), Halit Ziya Uşaklıgil, 1897
      11. Tüm Şiirleri (Collected Poems), Cenap Şahabettin, 1895-1934
      12. Aganta Burina Burinata, Halikarnas Balıkçısı, 1945
      13. Beş Şehir (Five Cities), Ahmet Hamdi Tanpınar, 1946
      14. Köşebaşı (Corner/ The Neighbourhood), Ahmet Kutsi Tecer, 1947
      15. Kestim Kara Saçlarımı (I Cut My Dark Hair), Gülten Akın, 1960
      16. SuyuArayan Adam (The Man in Search of Water), Şevket Süreyya Aydemir, 1961
      17. Mısırkalyoniğne, İlhan Berk, 1962
      18. Keşanlı Ali Destanı (The Ballad of Ali from Keshan), Haldun Taner, 1964
      19. Hızır'la Kırk Saat (Forty Hours With Khizr), Sezai Karakoç, 1967
      20. Şafak (Dawn), Sevgi Soysal, 1975
      21. Cevdet Bey ve Oğulları (Mr. Cevdet and His Sons), Orhan Pamuk, 1982
      22. Beyaz Kale (The White Castle), Orhan Pamuk, 1985
      23. Gece (The Night), Bilge Karasu, 1985
      24. Bin Hüzünlü Haz (A Thousand Gloomy Pleasures), Hasan Ali Toptaş, 1998
      25. Tol, Murat Uyurkulak, 2002